object eye

2011 — Object’s Digital Year

2011 was a big year for Object. In addition to continuing a strong exhibition and touring program (as I write this there are six Object exhibitions open around the country) and developing and piloting our landmark primary education program Design Emergency, we have had some terrific achievements in the digital realm.

The first, of course, was back in February with the launch of Object magazine issue 60. After an eighteen month hiatus, the magazine returned in a digital form, published as a free iPad app. We were delighted when it appeared as a Staff Pick in Apple’s App Store, and even more delighted as the numbers of downloads soared past the printed figures — this shift to digital has seen many more people able to easily engage with contemporary design from Australia and around the world. Exciting also was the realisation that it is not just people in Australia who are reading the magazine — people from every corner of the globe are finding it and enjoying it. Last count was 65 countries and climbing.

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HYPERCLAY Catalogue App Available Now

We’re very excited to announce that the HYPERCLAY: Contemporary Ceramics app developed as part of the touring exhibition is now available for everyone to download from the App Store in iTunes, exclusively for iPad. Divided into nine sections, the app has a profile, process, expert and student video for each of the eight artists, as well as a look at international ceramics, a word from the producer, and a look at material technology.

Designed to take the place of a traditional catalogue, the HYPERCLAY app contains over two hours of video content, some of which were included in the profiles of the HYPERCLAY artists on Object Eye over recent months. The app is free, and a great insight into the works and the artists. If you have seen the show already, you can catch up on any videos you may have missed, and if you plan on catching it over the course of the tour you can get acquainted with the exhibition before it arrives. And if it isn’t touring near you, it means you don’t miss out on all of the great information complementing the works!

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Paul Wood — HYPERCLAY

Welcome to the final instalment of the HYPERCLAY: Contemporary Ceramics artist profile series. Every week for the last eight weeks we have looked at one of the artists involved in the exhibition currently on show at Object Gallery in Sydney. Click here to catch up on the rest of the series.

This week: Paul Wood.

Paul Wood graduated from the Victorian College of the Arts in 1998 with a Bachelor of Fine Arts, before going on to attain in 2003 a Graduate Diploma from VCA also. As part of his Graduate Diploma, Wood decided that, rather than create functional objects, he would distort them, transforming them into non-functional objects in the process. You can watch a video of Wood discussing the creation of his work for HYPERCLAY in our Video & Audio Gallery here.

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Pip McManus — HYPERCLAY

Welcome to the penultimate instalment in the HYPERCLAY: Contemporary Ceramics artist profile series. Every week for the last seven weeks we have been profiling the artists involved in HYPERCLAY — you can catch up on the rest of the series here.

This week: Pip McManus.

McManus was raised in Perth, where she studied French at the University of Western Australia, before she spent some years travelling through Europe and Africa. She then returned to Australia, studying ceramics full time in Adelaide in the late 1970s before relocating to Alice Springs in 1981, where she has been based ever since.

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Addison Marshall — HYPERCLAY

Welcome to installment six in the HYPERCLAY: Contemporary Ceramics artist profile series. Every week we have been profiling one of the eight artists involved in HYPERCLAY — you can catch up on the series here.

This week: Addison Marshall.

You may remember Marshall from his profile in Object magazine Issue 60, with a focus on International Ceramics. If you don’t have an iPad and can’t download the issue, you can watch the video, narrated by Marshall, here or download it through iTunes U.

Marshall spent twelve years working in the fashion industry before a short course ten years ago reignited a latent passion stewing since a night course he enrolled in when he was eight or nine — joining a class where he was the only kid in a room full of adults. Now, he has been practicing ceramics for five years, drawing inspiration from the universe and the unknown — reflected generally in his work, and quite literally here.

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Visiting Object

St. Margarets, 417 Bourke St
Surry Hills NSW 2010

Tuesday-Friday: 11am-5pm
Saturday: 10am-5pm
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+61 2 9361 4511
gallery@object.com.au

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